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On the occasion of Arte Fiera, Garage BENTIVOGLIO inaugurates the year 2026 with a new project and presents in the window on Via del Borgo di San Pietro Temporali by Alberto Garutti, a work that connects the exhibition space with a distant and unpredictable natural phenomenon, transforming an atmospheric event into an intimate and everyday artistic experience.


Alberto Garutti, Temporali
Alberto Garutti, Temporali, 2015, garage Bentivoglio, Palazzo Bentivoglio ph. Carlo Favero. Courtesy Studio Alberto Garutti

The work fits conceptually within the tradition of artists who, beginning in the late 1960s, challenged the notion of sculpture by shifting its field of action beyond the object, toward landscape, time, and waiting. While works such as The Lightning Field by Walter De Maria entrusted the experience to a pilgrimage to remote places charged with the anticipation of an atmospheric phenomenon taking place, Garutti performs the opposite gesture: he does not intervene in the territory, but in what already exists, insinuating himself into the electrical system and turning it into a device sensitive to the world.


“Garutti knows the laws of the world and gives them to us as a gift: the work is in fact ‘dedicated to those who, passing by, think of the sky’—not necessarily the one above them, but perhaps another, distant one,” explains curator Davide Trabucco. “Elsewhere is at the center of many of the artist’s works, in the awareness that the truth we seek is always one step beyond our center of gravity.”


From this perspective, the work may manifest itself without witnesses, or not manifest itself at all, existing also in the waiting and in the possibility of its activation: the storm remains distant and invisible, entrusted to the viewer’s imagination, which mentally constructs its own sky, its own lightning, its own thunder.



From February 4 to February 28, 2026

garage BENTIVOGLIO

Via del Borgo di San Pietro 3A, Bologna


 
 

From January 17 to March 15, 2026, Casa Morandi — part of the Musei Civici Department of the Municipality of Bologna — hosts the exhibition Concetto Pozzati. Da e per Morandi, curated by Maura Pozzati and produced in collaboration with the Concetto Pozzati Archive: a tribute to one of the most active leading figures in Italian culture in the postwar period.


Concetto Pozzati, Da e per Giorgio Morandi, 1964
Concetto Pozzati, Da e per Giorgio Morandi, 1964

The exhibition is part of the institutional program of ART CITY Bologna 2026 (February 5–8), the calendar of exhibitions and events promoted by the Municipality of Bologna with the support of BolognaFiere on the occasion of Arte Fiera.


Concetto Pozzati wrote several key texts on Giorgio Morandi, including the presentation for the exhibition at the Galleria d’Arte Moderna di Bologna, Morandi e il suo tempo (1985–1986), entitled Morandi’s “autre” time, and a portrait of Morandi included in his own painter’s diary, published by Corraini in 2007 under the title Concetto Pozzati. Parola d’artista (An Artist’s Word). In this text, the conflicted relationship he had with the great Bolognese master emerges (a friend of his father Mario and his uncle Severo Pozzati): “an uncomfortable man, whom I did not love and whom I do not love, unlike the depth of that unreachable microcosm that was his painting.”


Da e per Morandi (From and for Morandi) is the title chosen by Concetto Pozzati for a series of works bearing witness to a dialogue with Giorgio Morandi’s oeuvre that lasted more than forty years. A constant engagement, expressed both through paintings dedicated to him and through texts and reflections on his pictorial method. For this exhibition, Casa Morandi presents some of the artist’s most representative works, opening with Da e per Giorgio Morandi (1964), the year Pozzati took part in the 32nd Venice International Art Exhibition and in Documenta III in Kassel.


The opening is scheduled for Friday, January 16, 2026, from 6:00 p.m. to 8:00 p.m.



January 17 – March 15, 2026

Casa Morandi

Via Fondazza 36, Bologna

 
 

Thursday 15 and Friday 16 January 2026 have been chosen for the official launch of Gibellina – Italian Capital of Contemporary Art 2026: a wide-ranging program that weaves together visual arts, performance, music, and critical thought, reflecting the profound identity of a city and its territory as a space for cultural experimentation, Mediterranean openness, and a transnational vision.


Gibellina - Capitale Italiana dell'Arte Contemporanea 2026: "Portami il futuro"

Thursday 15 and Friday 16 January 2026 mark the official opening of Portami il futuro (Bring Me the Future), the program of Gibellina – Italian Capital of Contemporary Art 2026, an initiative promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture.


Supported by the Sicilian Region, the Municipality of Gibellina, the Ludovico Corrao Museum of Contemporary Art, and the Orestiadi Foundation, the initiative is entrusted to the Artistic Direction of Andrea Cusumano, who also curated the program of the two inaugural days. Conceived as a symbolic and cultural journey through the identity of Gibellina, the program is fully consistent with the thematic lines and principles that will guide the entire programming of Gibellina – Italian Capital of Contemporary Art 2026.


The structure of the inaugural event is conceived as a progressive narrative, in which each moment enters into dialogue with the next. It highlights the memory evoked by the city’s emblematic sites, the relationship between tradition and contemporaneity expressed through musical choices ranging from the symphonic repertoire to popular traditions, Gibellina’s Mediterranean vocation as a crossroads of cultures, and the centrality of public space understood as a place of sharing, participation, and the collective construction of meaning.


Pietro Consagra, Ingresso al Belìce, Stella
Pietro Consagra, Ingresso al Belìce, Stella, 1981, Gibellina, Trapani. SIAE 2025

The program opens on Thursday, January 15, 2026, at 11:30 a.m. with the institutional ceremony held at the Agorà Hall of the Municipality of Gibellina, broadcast live in the square in front: a solemn moment, attended by the Minister of Culture Alessandro Giuli, in which official speeches intertwine with symphonic music and poetry. The opening is entrusted to the Orchestra Filarmonica del Sud (FIDES), conducted by Maestro Antonio Giovanni Bono, performing the Italian National Anthem and the overture from La Forza del Destino by Giuseppe Verdi. On the occasion of Gibellina – Italian Capital of Contemporary Art 2026, the Orchestra Filarmonica del Sud will also begin a process of rooting itself in the territory, becoming the city’s resident orchestra, based at the auditorium of the MAC – Ludovico Corrao Museum of Contemporary Art.

 

The symbolic heart of the ceremony will be two original video contributions created in the city’s emblematic sites: Alberto Burri’s Grande Cretto, featuring a reading of the unpublished text Poesia Gibellina by writer and poet Marilena Renda, winner of the 2025 Premio Strega Giovani Poesia, and Mimmo Paladino’s Montagna di Sale, the setting for a musical performance by jazz saxophonist Francesco Cafiso. A tribute to the memory and artistic identity of Gibellina, these moments are accompanied by a time of reflection and remembrance of the earthquake, which occurred on January 15, 1968.

 

In the afternoon, the inauguration continues with the opening of the first exhibitions. At 3:30 p.m., the exhibition Colloqui: Carla Accardi, Letizia Battaglia, Renata Boero, Isabella Ducrot, Nanda Vigo opens at the Fondazione Orestiadi, bringing into dialogue the works of five central figures in Gibellina’s cultural history. The exhibition creates an unprecedented exchange between languages and memories, offering a perspective capable of inspiring younger generations of artists. At 5:00 p.m., Dal Mare: dialoghi con la città frontale opens in the spaces of the Teatro di Pietro Consagra, where the video installations Resto by MASBEDO and The Bell by Adrian Paci spark a reflection on the Mediterranean as a human, political, and existential horizon.


The day concludes at 7:30 p.m. in the Agorà Hall with a concert by La Banda del Sud, a special project of the Italian Ministry of Culture conceived by Neapolitan artists, bringing together ten talents from southern Italy in a folk music orchestra conducted by Gigi Di Luca and Mario Crispi. The ensemble—comprising artists from Campania, Basilicata, Calabria, Apulia, Sicily, and Sardinia, alongside international musicians from Spain and Palestine—creates a musical dialogue that highlights shared cultural roots and the project’s Mediterranean vocation, staging an encounter between cultures, languages, and traditions as a metaphor for a shared future.

 

Ludovico Quaroni Chiesa Madre
Ludovico Quaroni, Chiesa Madre, 1985-2005, Gibellina, Trapani. Ph. Andrea Repetto. Courtesy Fondazione Orestiadi

On Friday, January 16, the exhibitions connected to the Generazione Sicilia project open to the public. At 5:00 p.m., Daniele Franzella’s installation Austerlitz inaugurates at the former Church of Gesù e Maria, designed by Nanda Vigo, while at 6:30 p.m. the MAC – Ludovico Corrao Museum of Contemporary Art opens the group exhibition dedicated to the Elenk’Art Collection. Two projects that tell the story of a territory capable of transforming its history into a plurality of contemporary artistic languages.


At 9:00 p.m., the two-day inauguration concludes with the concert Max Gazzè & Calabria Orchestra in Musicae Loci, held in Piazza XV Gennaio 1968. A live performance that blends singer-songwriter music, folk orchestration, and local traditions, translating the identity themes of Gibellina – Italian Capital of Contemporary Art 2026 into an accessible, contemporary, and highly communicative language, capable of generating participation and resonance.


From 10:30 p.m., again in Piazza XV Gennaio 1968, Città di Tebe, a fireworks display designed in dialogue with the urban context and the themes of the program, symbolically brings the inaugural events to a close.

Every artistic choice across the two days is aimed at strengthening the image of Gibellina as a vibrant cultural capital—one capable of combining rootedness and openness, experimentation and accessibility, memory and vision—anticipating from the outset the spirit and trajectory of the entire year-long program.

 
 
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