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At the Museum of Art Pudong in Shanghai, the largest exhibition ever held abroad dedicated to the artist.


From June 17 to October 28, 2026

Giorgio Morandi, Natura morta, 1956, Oil on canvas
Giorgio Morandi,  Natura morta, 1956, Oil on canvas, V.985, Morandi Museum, Civic Museums of Bologna Department, Municipality of Bologna © Giorgio Morandi, by SIAE 2026

From June 17 to October 28, 2026, the Museum of Art Pudong (MAP) in Shanghai presents Giorgio Morandi. Solo (乔治·莫兰迪:独白), the largest and most important exhibition ever held abroad dedicated to Giorgio Morandi, as well as the artist’s first major monographic retrospective in China. Promoted within the framework of the international cultural relations fostered by the City of Bologna and the Morandi Museum, the exhibition represents a project of extraordinary cultural and symbolic significance, strengthening the dialogue between Italy and China through the work of an artist universally recognized for his poetic, silent and deeply radical vision.


Bologna, the city where Morandi lived and worked throughout his life and which today preserves the most important core of his artistic legacy through the Morandi Museum, reaffirms its role as a key player in the development of international cultural relations and in the enhancement of its artistic heritage as a means of intercultural dialogue. As Matteo Lepore, Mayor of Bologna, states: “Bringing to Shanghai the largest exhibition ever organized abroad dedicated to Giorgio Morandi means bringing to the world an essential part of Bologna’s cultural identity. Morandi is one of the artists who most profoundly expresses the relationship between our city and the universal dimension of culture. This project strengthens the dialogue between Bologna and China and confirms the role of culture as a tool for connection, knowledge and international cooperation.”


Li Minkun, President of the Museum of Art Pudong, comments: “The Museum of Art Pudong has always prioritized international cultural and artistic exchange, consistently bringing major artistic resources from around the world to Shanghai. At the same time, we continuously reflect on how an art museum can establish deeper connections with urban life, public aesthetic sensibilities and the cultural needs of its visitors. Our significant collaboration with the Morandi Museum for Giorgio Morandi. Solo marks an important chapter in this ongoing commitment. To help Chinese audiences fully grasp the essence of Morandi’s work, the exhibition offers an innovative spatial experience through its scenographic design. Moving away from conventional exhibition layouts, the show presents masterpieces and original objects in particularly meaningful combinations. By recreating the ‘objects of the paintings’ within the exhibition space, visitors can better understand the geometric compositions on the canvas and truly appreciate Morandi’s brushwork.”


The project forms part of a broader strategy aimed at promoting Bologna’s cultural heritage internationally and confirms the Municipality’s commitment to strengthening the bond between the city, its territory and the figure of Morandi, an essential interpreter of twentieth-century Italian cultural identity.

Curated by Lorenzo Balbi, Director of MAMbo – Museum of Modern Art of Bologna and the Morandi Museum, and Francesco D’Arelli, Director of the Italian Cultural Institute in Shanghai, Giorgio Morandi. Solo features more than 140 works, including paintings, engravings, watercolours and drawings. The exhibition brings together masterpieces rarely shown abroad and, in many cases, never before exhibited in China, offering Asian audiences a comprehensive reappraisal of Morandi’s artistic research through an exceptional body of works distinguished by their quality, breadth and historical significance.


Giorgio Morandi, Natura morta, 1952, Oil on canvas
Giorgio Morandi, Natura morta, 1952, Oil on canvas, V.823, Morandi Museum, Civic Museums of Bologna Department, Municipality of Bologna © Giorgio Morandi, by SIAE 2026

The exhibition includes works restored for the occasion, original materials from the Morandi Museum and Casa Morandi, and an extensive curatorial and museographic project conceived specifically for Shanghai. The new exhibition design, created by Aldo Cibic Workshop, conveys the intimate, contemplative and silent dimension that characterizes the artist’s work.

The title Solo encapsulates the meaning of the project: a major monographic retrospective that places Morandi at the centre of the stage, without comparisons or counterpoints, entrusting his work alone with the task of occupying the exhibition space.

Hosted by the Museum of Art Pudong (MAP), the prestigious museum designed by Ateliers Jean Nouvel on the banks of the Huangpu River, the exhibition addresses an audience that in recent years has shown growing interest in Morandi. In China, his work is the subject of study, collecting and deep admiration, making Shanghai the ideal context for what stands as the most important international presentation ever dedicated to the Bolognese master.

Opened in 2021, MAP has quickly established itself as one of Asia’s leading cultural hubs, thanks to its collaborations with some of the world’s most important museum institutions, including the Galleria Borghese, the Uffizi Galleries, the National Archaeological Museum of Naples, the Musée d’Orsay and the Musée du Louvre.


Natura morta, 1952, TE.1952/9
Natura morta, 1952, TE.1952/9, Morandi Museum, Civic Museums of Bologna Department, Municipality of Bologna © Giorgio Morandi, by SIAE 2026.

The project is made possible thanks to a fruitful public-private collaboration developed by the Municipality of Bologna together with MondoMostre, as part of an international programme dedicated to the promotion of Giorgio Morandi. This model aims to strengthen the presence of Morandi’s work in major international museum contexts while, at the same time, supporting the enhancement of Morandi-related sites in Bologna through an integrated strategy that brings together culture, international relations and territorial promotion.

The initiative also looks beyond Shanghai, forming part of a broader international journey dedicated to Morandi that will subsequently continue in Seoul, confirming Asia’s growing interest in one of the great masters of twentieth-century Italian art.


Giorgio Morandi. Solo thus represents not only a major international exhibition project, but also a new stage in the global promotion of Morandi’s legacy. It is a project that strengthens Bologna’s role as the city that preserves the artist’s work and relaunches his presence within the leading international cultural scenes.

Special thanks to the institutional partners: Shanghai Lujiazui East Bund Culture Development Co., Ltd., Consulate General of Italy in Shanghai, Italian Cultural Institute in Shanghai, Ministry of Culture – Directorate-General for Museums.

 
 

Kunsthalle Lissabon, Lisbon, Portugal


Opening Wednesday 24 June, 6 pm

June Crespo. Photo: Alex Iturralde, 2024.
June Crespo. Photo: Alex Iturralde, 2024.

P420 is pleased to announce “MÁS GRAVES”, a solo exhibition by June Crespo (Pamplona, 1982) at Kunsthalle Lissabon. Crespo has been developing a sculptural and instalative practice that investigates the relationship between the body, matter, and architectural space, creating a tension between the limits of scale, weight, and physical presence. Her work has achieved strong international prominence, positioning her as one of the most relevant figures in Spanish contemporary art and leading her to present solo exhibitions at institutions such as the Fondazione Sandretto Re Rebaudengo in Turin, the Secession in Vienna, the Guggenheim Museum Bilbao, Le Crédac in Paris, and the Centro de Arte Dos de Mayo (CA2M) in Madrid.


The exhibition title, “MÁS GRAVES”, operates on a conceptual and linguistic play that crosses physics with acoustics. On one hand, it directly evokes the idea of gravity, weight, and material density, reflecting the physical effort and sustenance of the pieces in space. On the other hand, it refers to bass sounds, to low and deep frequencies that fill the environment. By merging corporeal weight with the intangible vibration of sound, Crespo proposes an expanded reading of matter, suggesting that what is dense and heavy also resonates and emits its own frequency.



Informations:

Kunsthalle Lissabon, Lisbon

📆 24 june— 5 september 2026

Opening Wednesday 24 June, 6 pm

The exhibition is free and open to the public from Thursday to Saturday, 3:00 PM–7:00 PM.

 
 

Vedere le cose (per A.S.), 2025, Joseph Kosuth’s site-specific installation, joins the collection of the Museo del Novecento.


The artwork will be inaugurated on July 1 in the presence of the artist.

Joseph Kosuth, Vedere le cose (per A.S.), 2025, installazione neon, eng
Joseph Kosuth, Vedere le cose (per A.S.), 2025, neon installation, warm white neon text installed directly on the façade. Courtesy of Lia Rumma Gallery, Milan/Naples.

Vedere le cose (per A.S.) (Seeing Things (for A.S.)), 2025, Joseph Kosuth’s new site-specific installation, has been “switched on” on the side façade of the Museo del Novecento. The work, a “writing of light” extending for 28 metres along Via Marconi, transforms the Museum’s exterior wall into a space for reflection in dialogue with the city. Acquired by the Municipality of Milan and now part of the Museum’s permanent collection, it will be officially inaugurated on July 1 (7:00 pm) by Councillor for Culture Tommaso Sacchi, in the presence of the artist.


“The present, which is in time what the façade is in space, prevents us from seeing things in depth”: this is the sentence, taken from Scritti dispersi (1943–1952) by Alberto Savinio, that Joseph Kosuth chose to realise in neon on the Museum’s façade.

The metaphysical reflection evoked by Savinio thus meets Kosuth’s conceptual language, offering a meditation that invites viewers to move beyond the immediacy of the present and seek new possibilities of meaning in the depth of things.

The installation arrives at a particularly significant moment for the Museo del Novecento, which, with the launch of construction works for its expansion into the second Arengario tower, is entering a new phase in the transformation of its spaces and identity.


“Kosuth’s work ideally builds a bridge towards the second Arengario, destined to become an extension of the Museum, accompanying it to the threshold of the contemporary,” says Councillor for Culture Tommaso Sacchi.

The project originated within the framework of Metafisica/Metafisiche (Metaphysics/Metaphysics), the major multi-venue exhibition curated by Vincenzo Trione and produced by Palazzo Reale, Museo del Novecento, Grande Brera–Palazzo Citterio and Gallerie d’Italia with Electa, which explores the persistence of the metaphysical vision from the early twentieth century to the present day. While the exhibition project comes to a close on June 21, Kosuth’s work extends its reflection into the urban space, leaving a visible and permanent mark on the city.

 
 
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