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On Friday, October 31, 2025, at 3:30 p.m., the Atelier Marco Bagnoli in Montelupo Fiorentino hosts Visioni Estatiche // The Victory over the Sun, an event conceived by Marco Bagnoli and organized by Associazione Spazio X Tempo.


Shiota Chiharu, Uncertain Journey, 2016/2019
Marco Bagnoli oracolo infranto : Vittoria sul sole 2025

The initiative unfolds in two parts: a symposium dedicated to Fulvio Salvadori, followed by the premiere of the scenic work L’Oracolo infranto – Fragments from The Victory over the Sun, with music and dramaturgy by Alessandro Magini and direction by Giuseppe Scali.


The day opens with a roundtable honoring Fulvio Salvadori (1937–2021) — writer, philosopher, and art critic — whose thinking continues to shape contemporary discourse. The speakers include Bruno Corà, president of the Fondazione Palazzo Albizzini Collezione Burri, and Father Bernardo Gianni, abbot of San Miniato al Monte, moderated by art historian Marco Bazzini. The event marks the official presentation of the Biblioteca Sospesa – Fulvio Salvadori Study Center, a collection of over 5,000 volumes preserved at the Atelier Marco Bagnoli and now open to scholars by appointment. The initiative, supported by Bagnoli, aims to safeguard and promote Salvadori’s intellectual legacy — a rare synthesis of philological rigor and poetic insight.


The creation of the Biblioteca Sospesa is part of a wider project that includes the publication of Scritti Sospesi (Lindau, 2020) and the 2023 symposium Il Tempo del Testimone. Together, these initiatives seek to reinterpret Salvadori’s thought as a tool for reading the contemporary world. Closely connected to artists such as Marina Abramović, Shirazeh Houshiary, Chen Zhen, and Marco Bagnoli, Salvadori embodied a form of criticism that combined intellectual precision with metaphysical openness.


Philip Guston If This Be Not I 1945 Mildred Lane Kemper Art Museum. Univerity purchase, Kende Sale Fund, The Estate of Philip Guston, courtesy Hauser & Wirth
Biblioteca Sospesa - Centro Studi Fulvio Salvadori - Atelier Marco Bagnoli

The second act of the day is devoted to the performance L’Oracolo infranto – Fragments from The Victory over the Sun, a one-act composition for voices, violin, and electronic music, structured in seven tableaux. Inspired by the 1913 Russian Futurist opera by Aleksej Krucenych, with music by Michail Matyushin and stage design by Kazimir Malevič, the work revisits the visionary roots of modernism. In his essay The Square Set Diagonally, Salvadori linked Malevič’s Black Square to the liberating energy of The Victory over the Sun, interpreting it as a passage toward “a space of levitation and cosmic freedom.”


For Magini, L’Oracolo infranto is “an abstract liturgy, a shattered oracle, a suspended vision. A theater of residue, where words, images, and sounds rise from the depths of time as fragments of an unfinished rite.” The score unfolds as a broken prayer — a sonic vision for a post-luminous world in which light and meaning dissolve into pure perception.


By intertwining critical memory and contemporary creation, Visioni Estatiche // The Victory over the Sun renews the dialogue between art and thought, celebrating the spiritual tension at the heart of Salvadori’s legacy and Bagnoli’s practice.


Shiota Chiharu, Accumulation - Searching for the Destination 2014/2019
Marco Bagnoli - Biblioteca sospesa

The conference will be recorded and later made available on the Atelier Marco Bagnoli platform, furthering Spazio X Tempo’s mission to preserve and activate a living archive of ideas and visions.


Atelier Marco Bagnoli

Via della Quercia, 9 Montelupo Fiorentino - FI


Date 31 Ottobre 2025



 
 

On the occasion of the 21st edition of the Giornata del Contemporaneo promoted by AMACI, the Studio Vanna Casati in Bergamo presents L’anagramma, a solo exhibition by Michele Savino, entirely dedicated to his ongoing research on the practice of anagram.


Shiota Chiharu, Uncertain Journey, 2016/2019
Formazione Anagrammatica


The venue becomes more than an exhibition space: the Studio turns into a critical device, a workshop of thought and language, where words and images are continuously deconstructed and recomposed before the viewer’s eyes. Given the strong public response, the exhibition has been extended for one additional week.


For Savino, the anagram as form of thought is a living organism — “a challenge between mind and word.” The mind pushes while the word resists, only to reorganize itself, altering the order of its letters without losing its essence. This process, both rigorous and playful, functions as a kind of psychoanalysis of language, revealing buried meanings and unexpected semantic connections. Every word, as the artist describes, is “a small army”: the mind rearranges its formation over and over, generating new constellations of sense. The result is a verbo-visual theater, where order bends without breaking and the surface of language opens toward depth.


At Studio Vanna Casati, this conceptual tension becomes visible. The exhibition highlights the laboratory dimension of Savino’s work: texts, notes, and visual compositions enact the friction between rule and invention, demonstrating how the anagram “forms, deforms, and transforms” without betraying the inner structure of language. The show invites viewers to slow down and look closely — to enter the combinatorial labyrinth and find the hidden key that unlocks the safe of words.



Studio Vanna Casati

Bergamo


Date 4 ottobre 2025  - 26 ottobre 2025

 



 
 

From October 22 to November 22, 2025, Candy Snake Gallery in Milan presents Stone and Coral, a dual solo exhibition by Diego Azzola and Gloria Tomasini.


Shiota Chiharu, Uncertain Journey, 2016/2019
Gloria Tomasini, Milk Bruise II, 2025


The project creates a dialogue between the two young artists through a shared fascination with aquatic worlds. The details of stone fountain statues represented in Azzola’s paintings encounter the complex coral congregations modeled in ceramic by Tomasini, forming an interplay between solidity and metamorphosis, stillness and vitality.


Stone and Coral Candy Snake Gallery invites viewers into an environment where natural and artificial merge, and where matter itself becomes a living, evolving entity.


Diego Azzola (Bergamo, 2000) graduated from the Accademia di Belle Arti G. Carrara in Bergamo, completing his master’s degree in painting in 2025. His practice centers on a primal, vital amalgam—creation and destruction, assembly and disintegration—as the fundamental premise of his work. At the heart of his research lies the potential to generate new forms of life and to merge elements from contrasting realms. Through painting, installation, and sculpture, he explores the space between the natural and the artificial, searching for new hybrids and ambiguous identities that challenge the boundaries of life and individuality.


Gloria Tomasini (Lugano, 1999) is a Swiss-Croatian visual artist. She graduated from the Brera Academy of Fine Arts in Milan in 2022 and currently lives in Zurich, where she is pursuing a Master’s in Fine Arts at ZHdK. Her artistic process is rooted in manual craftsmanship and a meditative relationship with materials. Modeling becomes for her an introspective act, an entry into a suspended, timeless space where imagination and physical gesture intertwine.


Philip Guston If This Be Not I 1945 Mildred Lane Kemper Art Museum. Univerity purchase, Kende Sale Fund, The Estate of Philip Guston, courtesy Hauser & Wirth
Diego Azzola, Dolomia, 2025

Through delicate organic forms and detailed textures, Tomasini explores a tactile and sensorial perception of nature. Her ceramic works evoke microcosms—small ecosystems where fragility and resilience coexist, and where the material itself becomes experience.


Together, Azzola and Tomasini compose a poetic and subaquatic landscape, where artistic gesture follows the slow rhythm of natural transformation. In the rooms of Candy Snake Gallery, painting and sculpture converge in a suspended dialogue that invites viewers to immerse themselves in a fluid world of silent presences and continuous change.


The exhibition opens on Wednesday, October 22, 2025, from 6:30 to 9:00 p.m., at Candy Snake Gallery, Via degli Orombelli 15, Milan.


Candy Snake Gallery

Milano


Date 22 ottobre 2025  - 22 novembre 2025

 



 
 
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