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A calendar of talks will accompany the Public Programme of the Cremona Art Fair, featuring in-depth sessions dedicated to artists, publishers, and industry professionals. The section will include presentations, dialogues, and open discussions with the public, with a special focus on the Editor section.

Among the scheduled events, on Saturday, May 9 at 3:30 PM, the talk Art, Companies, and Foundations: Strategic Alliances in Contemporary Cultural Production will take place.


Talk

Saturday, May 9


h. 3.30 PM “Art, Companies, and Foundations: Strategic Alliances in Contemporary Cultural Production”


Speakers: Andrea Savino (Collezione da Tiffany), Vera Canevazzi (Vera Canevazzi Art Consulting)

Moderator: Francesca Baboni


A discussion dedicated to the increasingly central role of companies and foundations in the production and support of contemporary culture. The talk examines models of collaboration between the art system, the business world, and institutions, exploring strategies related to collecting, patronage, and innovation. Through direct experiences and significant case studies, the session investigates the dynamics of cooperation among the art system, companies, and foundations, highlighting the cultural and social value that emerges from the intersection of art, economy, and society.


Andrea Savino is a chartered accountant and statutory auditor based in Turin, specializing in international law and taxation. He is a member of the Culture Economics Commission of the National Council of Chartered Accountants, former president of the Culture Commission of the National Union of Young Chartered Accountants, and a member of the Internationalization and International Taxation Commission of the same organization. He is also a researcher at the Institute for European Studies (IUSE).


Vera Canevazzi is the director of Vera Canevazzi Art Consulting, a Milan-based art advisory and art wealth management firm that supports private clients, companies, artists, galleries, and institutions through tailored projects. The firm operates as a single point of contact, coordinating artistic, managerial, legal, and communication expertise—from cataloguing and artwork appraisal to expert reports, curatorship, exhibition production, and artist positioning. She is also a professor and coordinator of the Schools of Painting, Sculpture, and Visual Arts at the SantaGiulia Academy of Fine Arts in Brescia.


h 4.30 PM Ticonzero


Ticonzero presents a talk in the form of a conversation dedicated to the project “QUIRKY – Wear Art, Support Difference,” featuring Siria Bertorelli, art therapist, and Chiara Caccialanza from laboratorio_huntspear.


The meeting brings together two perspectives that may seem distant at first glance: that of the artisan jeweler and designer, and that of an association that has developed a piece of jewelry with a strong social value. It is precisely from this distance that a fertile dialogue emerges, capable of rethinking the concept of “value” in new ways.


Starting from a simple yet incisive question—what makes a piece of jewelry precious?—the talk explores themes such as the relationship between economic and social value, jewelry as a form of expressive language, and the connection between beauty and meaning. At its core is a reflection on uniqueness: on one hand, the uniqueness of the handcrafted piece; on the other, the uniqueness of the people and stories that the jewelry can represent.


“Wearing difference” thus becomes a powerful meeting point where artistic creation, sustainability, and inclusion intertwine, opening up a vision of jewelry not merely as an object, but as a cultural and relational device.


Ticonzero is a social promotion association that fosters the development of artistic and cultural projects conceived within the framework of neurodiversity, with the aim of creating new interpretative possibilities and supporting human well-being. Through collaboration with the editorial project Matti Da Rilegare by Legatoria Venturini, the idea emerged to create a series of visual monographs using paper offcuts destined for recycling, dedicated to the atelier’s participants. This year at the fair, Ticonzero presents the project Wearable Art.


Sunday, May 10


h 11.00 AM Tricromia Illustrator's Artgallery

Tricromia Art Gallery presents A Tribute to Eyes for Cremona Art Fair, a selection of works from the Italian illustration scene. Active for over thirty years, the gallery combines exhibition and publishing activities, focusing its research on drawing, comics, and illustration. Over time, it has collaborated with artists such as Mattotti, Muñoz, Toppi, Pericoli, Altan, Mannelli, Ricci, and Jacovitti, while also supporting emerging young artists.

Speakers include Giuseppina Frassino, founder of Tricromia Illustrator’s Art Gallery, and Michele Ginevra, director of the “Andrea Pazienza” Comics Center.

h 3.30 PM The Place

The Place is a platform dedicated to the sale of art books, photography, visual culture, and artist editions. It offers a carefully curated selection of rare volumes, independent publications, and research-driven titles, addressing collectors, scholars, and enthusiasts alike. It serves as a reference point for those seeking high-quality, niche editorial content, with a strong focus on quality and experimentation.

Speakers include Oliviero Falconi, co-founder, and the artists Giorgio Bernasconi and Gabriele Napoli.

 

h 4.30 PM L’Arengario Studio Bibliografico - ​Biblohaus

Biblohaus is a publishing house specializing in the anastatic reproduction of rare Futurist texts, produced as fine, limited-edition volumes. Its work enhances the book as an art object, faithfully preserving the original graphic design and layout of Futurist avant-garde works. Alongside historical reprints, the publisher also produces new art books inspired by the style and spirit of Futurism, always in limited editions.


L’Arengario Studio Bibliografico, active since 1980, specializes in the history of the avant-garde, artist’s books, and protest culture. At Cremona Art Fair, it presents a selection of historical artist’s books from the 1960s and 1970s in their original editions, and introduces the participatory project HIC ET NUNC. Contributions collected from the public will be brought together into a collective artist’s book, to be published in a digital edition by the end of June.

 
 

Cremona Art Fair presents Listening Room, a project curated by Michele Lombardelli that introduces a space dedicated to sound as an artistic language within the fair.


Stanza d'ascolto
Stanza d'ascolto. Courtesy Michele Lombardelli

In recent decades, sound has become an increasingly central medium in the work of many visual artists, spanning installation, performance, and composition. From Luigi Russolo to figures such as Giuseppe Chiari, Nam June Paik, Carsten Nicolai, and Anne Imhof, the relationship between visual art and the sonic dimension has taken on ever-new forms.


Listening Room was conceived to give shape to this evolution: an environment designed for listening sessions featuring sound works and compositions by contemporary artists, played from physical media through a high-end audio system. An experience that restores centrality to time, quality, and the presence of sound.


The design and installation of the audio system are entrusted to Audio Graffiti of Pandino (CR), a company specializing in high-end audio components.


Alongside the listening space, the project presents an exhibition of artist materials related to sound research—scores, books, catalogues, and documents—testifying to the dialogue between visual arts and music. In a city like Cremona, deeply connected to music and violin-making, Listening Room opens up a contemporary dialogue between musical tradition, artistic research, and the culture of listening.


Sound works by: Vincenzo Agnetti, Cory Arcangel, Robert Barry, Emanuele Becheri, Jacopo Benassi, Joseph Beuys, Alessandro Bosetti, John Cage, Canedicoda, Francesco Cavaliere, Federico Chiari, Giuseppe Chiari, Meike Clarelli, Gianluca Codeghini, Dracula Lewis, Jean Dubuffet, Martin Eder, Attila Faravelli, Marco Fusinato, Geruch Von Blut, Liam Gillick, The Gloria, Renato Grieco, Anne Imhof, Imi Knoebel, Invernomuto, Mike Kelley, Kinkaleri, Martin Kippenberger, Christina Kubisch, Giulio Lacchini, Okkyung Lee, Alan Licht, Claudia Losi, Lux Aeterna, Mirco Marchelli, Christian Marclay, Walter Marchetti, Nicola Martini, Charlotte Moorman, Margherita Morgantin, Nam June Paik, Carsten Nicolai / Alva Noto, Hermann Nitsch, Yoko Ono, Roman Opalka, Charlemagne Palestine, Luca Pancrazzi, A. R. Penck, Seth Price, Prurient, Gerwald Rockenschaub, Reiner Ruthenbeck, Mario Schifano, Jim Shaw, Michael Snow, Takis, Mark Templeton, Wolfgang Tillmans, Valerio Tricoli, David Tudor, Untitled Noise, Nico Vascellari, Patrizia Vicinelli


Tracks: Agnetti, Vincenzo – Machiavelli 30 - LP  Amontillado – Figura 02.11.2023 - CD  Arcangel, Cory – 24 Dances For The Electric Piano - LP  Barry, Robert – Otherwise - LP Barry, Robert – Sky Land Sea - CD  Becheri, Emanuele – Aprés Coup - LP  Benassi, Jacopo – Jacopo Plays Benassi - LP Benassi, Jacopo / Untitled Noise – Rozzo - LP  Beuys, Joseph & Paik, Nam June – In Memoriam George Maciunas: Klavierduett - LP  Cage, John / Tudor, David – Variations IV - LP  Cavaliere, Francesco – I-A-K InterplanetaryAbyssal-Kite - LP  Chiari, Giuseppe – Antologia - CD Chiari, Giuseppe – Gesti Sul Piano - LP  Clarelli, Meike / Losi, Claudia – Voce A Vento - LP  Codeghini, Gianluca – There's Nothing Better Than Producing Sound - CD  Duchamp, Marcel – The Entire Musical Work Of Marcel Duchamp - LP  Dubuffet, Jean – Expériences Musicales - LP  Faravelli, Attila / Martini, Nicola – S/T - LP  Fusinato, Marco – Spectral Arrows: Sidney - LP Fusinato, Marco – Spectral Arrows: Venice - LP  Gillick, Liam – Los Angeles - CD  Imhof, Anne – Faust - LP Imhof, Anne – Sex - LP  Invernomuto – Vaernascacadabra - LP  Julius, Rolf – Music For a Distance - Small Music No. 2 - CD  Klein, Yves – Symphonie "Monoton-Silence" - LP  Kubisch, Christina – On Air - CD  Lacchini, Giulio – 2026 - CD  Lee, Okkyung / Marclay, Christian – Amalgam - LP  Lewis, Dracula – Death Comes Ripping - LP  Lux Aeterna – Esserci, Ego-Death, Oblivium Aeternum - CD Lux Aeterna / Geruch Von Blut – Glass-Castle Session - CD  Marchetti, Walter – Concerto Per La Mano Sinistra In Un Solo Movimento - LP  Marclay, Christian – Guitar Drag - LP  Morgantin, Margherita – Cosmic Silence 5, Fluorescence 4 - LP  Moorman, Charlotte / Paik, Nam June – TV Cello - LP  Nauman, Bruce – Soundtrack From First Violin Film - LP  Nicolai, Carsten – Zone - LP  Nitsch, Hermann – Akustisches Abreaktionsspiel - LP Nitsch, Hermann – Das 6-Tage-Spiel Des Orgien Mysterien Theaters - LP  Noto, Alva – Prototypes - CD Noto, Alva – HYbr:ID II - LP Noto, Alva – Xerrox Vol. 1 - LP  Ono, Yoko – Fly - LP  Opalka, Roman – 1965/1–∞ Passage du cinquième million - CD  Orchestra Of Futurist Noise Intoners, The (dir. Luciano Chessa) – LP  Pancrazzi, Luca – After Panasonic, Ondivago - CD  Palestine, Charlemagne – Arpeggiated Bösendorfer + Falsetto Voice - LP Palestine, Charlemagne – Godbear - LP  Penck, A. R. – Going Through - CD  Ponzini, Ramona – Trees are Columns with Clouds on Top - LP  Price, Seth – Coinos Driftos - LP Price, Seth – Inner Storm - CD  Prurient / Vascellari, Nico – Jesus - LP  Rockenschaub, Gerwald – Private Pleasures - CD  Ruin / Solistenensemble Kaleidoskop – 1/2 Skull - CD  Schifano, Mario – Le Stelle di Mario Schifano - LP  Shaw, Jim / Kelley, Mike – Duets - CD  Snow, Michael – Musics For Piano, Whistling, Microphone And Tape Recorder - LP  Suzuki, Akio  – Soundsphere - CD  Templeton, Mark – Two Verses - LP  The Gloria – Discipline - CD  Tillmans, Wolfgang – Moon in Earthlight - LP  Trevisani, Luca – Amazoom - LP  Untitled Noise – I Hate All The Words - LP  Vainio, Mika / Ikeda, Ryoji / Noto, Alva – Live - LP  Vicinelli, Patrizia – Tuonando - LP  Young, La Monte / Zazeela, Marian – The Black Record - LP STANZA D’ASCOLTO | ARTE E SUONO A CREMONA ART FAIR Coordinamento generale: Paolo Batoni Consulenza musicologica: Benedetta Broegg Impianto audio: Audio Graffiti srl, Pandino (CR) Pannelli sonori: Poliart srl, Capannori (LU) Allestimento: Poliart, Capannori (LU) 8/10 MAGGIO 2026


 
 

Io giardino is a painting exhibition born from the observation of the garden as a living, fragile, and ever-changing space. In the works of Andrea Lucchesi, winner of the Premio Prospettive 2025 at Cremona Art Fair, the garden is not merely a natural subject, but a form of thought: a place that humans tend, move through, and organize, without ever being able to fully possess it.


Andrea Lucchesi
Andrea Lucchesi, Untitled, 2026, Oil on canvas, 40 x 40 cm

The works feature dense surfaces, crossed by marks and layers in which vegetation seems to expand beyond all limits. Colors overlap, forms emerge and dissolve, while recognizable elements—vases, fences, architectural fragments—surface as traces of an order that persists, but does not dominate.


For Lucchesi, the garden is one of the most fragile forms of human intervention: it exists because someone cares for it, yet it already contains within itself the moment when that care will cease. One day the gardener will no longer be there; then the original design will change, some plants will disappear, others will take over, and what was once contained will begin to grow freely.


Lucchesi seems to paint precisely this threshold. Not the garden as a perfect place, but the garden at the moment it begins to slip away. Painting does not describe the garden: it enacts it. In this sense, the garden becomes a metaphor for painting itself: a process that originates in a gesture, but then grows, changes, and escapes control. The artist’s gesture does not impose a definitive form, but accompanies a transformation.

In this way, the garden also becomes a metaphor for limit. Everything that arises from care is exposed to change. Every balance is temporary. What is designed can only be maintained for a time, before being transformed by what exceeds control.

Io giardino does not narrate the end of something, but its continuous becoming. It is a space where intention and loss coexist, where painting returns not a closed form, but a condition.


Its strength lies precisely here: in making visible a vitality that cannot be stopped.



Andrea Lucchesi was born in Florence in 1981. After graduating from the Liceo Artistico Leon Battista Alberti, he continued his studies at the Academy of Fine Arts in Florence, where he was a student of Professor Adriano Bimbi. In 2004 he won the Tito and Maria Conti Prize, awarded every five years by the Accademia delle Arti del Disegno in Florence. In 2013 he founded, together with four other artists, an independent collective based in Florence. He currently lives and works in Arezzo.

Among his main exhibitions: Cosa Viva, A Pick Gallery (Turin, 2025); finalist, Combat Prize, Museo Giovanni Fattori, Granai di Villa Mimbelli (2024); Livorno Open Eyes Signal, group exhibition at Annarumma Gallery, Naples (2023); The Worm at the Core, Woolwich Beresford Street, London (2022); TRITTICO. A reflection on portraiture, Sdrucciolo de Pitti, Florence (2017); Dieci anni nel Mugello, Palazzo Medici Riccardi, Florence (2011); Lezioni del male, Galleria delle Arti del Disegno, Piazza S. Marco, Florence (2009); La materia del segno, curated by Francesca Baboni and Stefano Taddei, Angela Memola Grafique Art Gallery, Bologna (2009).


 
 
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