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At the MAO – Museum of Oriental Art in Turin, the third edition of Declinazioni Contemporanee unfolds: a program of artist residencies and site-specific commissions inviting contemporary artists to engage with the museum’s evolving collection.


Shiota Chiharu, Uncertain Journey, 2016/2019
Declinazioni Contemporanee #3, MAO Torino 2025

Opened on November 1, 2025, the project reaffirms MAO’s role as a space of experimentation and cultural rewriting, where historical objects are reactivated through the gaze of contemporary art.


Curated by the MAO team, the initiative brings together voices from three continents, offering new interpretations of the museum’s heritage and restoring meaning to objects that have long remained silent.


In the Tibetan gallery, filmmakers and artists Ritu Sarin and Tenzing Sonam present a sound installation inspired by the rare fragments from the Densatil Monastery in central Tibet. Once a spiritual and political hub of the Phagmo Drupa dynasty (14th–15th centuries), the monastery was destroyed during the Cultural Revolution, its treasures scattered among museums and private collections worldwide.


Through the voice of Virūḍhaka, the Guardian King of the South, the installation evokes the beauty and tragic fate of Densatil, transforming the gallery into a space of remembrance and spiritual resonance.


In the Chinese galleries, Korean artist Sunmin Park presents Pale Pink Universe (2025), a video installation accompanied by a series of drawings exploring the relationship between nature and human intervention through the lens of agriculture and winemaking.

Created during her residency at CastelGiocondo in Montalcino as part of the Artisti per Frescobaldi project, the work intertwines Tuscan landscape, medieval poetry, and cosmic imagination. Inspired by a sonnet by Dino Frescobaldi, Park’s voice recites the English translation while microscopic images of grape particles merge with vast cosmic vistas, accompanied by a composition by Bojan Vuletic. The series of three drawings will enter the MAO’s permanent collection.


Philip Guston If This Be Not I 1945 Mildred Lane Kemper Art Museum. Univerity purchase, Kende Sale Fund, The Estate of Philip Guston, courtesy Hauser & Wirth
Declinazioni Contemporanee #3, MAO Torino 2025

Between the Chinese and Japanese galleries, Francesco Simeti presents Description Generale (A Historical Map of the Other), a site-specific installation combining wallpaper, fabric elements, and luminous glass sculptures created in collaboration with WonderGlass.

The work offers a critical reinterpretation of the Silk Roads, revealing how Western imagination has historically exoticized and appropriated Asian cultures. The glowing pagoda-like objects, crafted through both traditional Murano glassblowing and modern casting techniques, suspend between delicacy and solidity, evoking a dreamlike, hybrid landscape.


The opening also featured Tape Music, a participatory performance by Taiwanese artist Lin Chi-Wei, previously presented at Tate Modern, the Centre Pompidou, and the Venice and Shanghai Biennales.


Part of the project Yue Ji 樂記, curated by Freya Chou, the performance engaged the audience in reading sound scores written on long scrolls of paper, generating a collective, ritual-like chorus that explored the themes of loss, consolation, and memory in dialogue with MAO’s Chinese funerary collection.


Shiota Chiharu, Accumulation - Searching for the Destination 2014/2019
Declinazioni Contemporanee #3, MAO Torino 2025

With Declinazioni Contemporanee #3, MAO confirms its role as a living laboratory of intercultural dialogue, where history meets technology and the past speaks through contemporary art.


MAO Torino

Via San Domenico 11


Date

1 novembre 2025 - 26 aprile 2026



 
 

From November 2025 to June 2026, Museion and Ar/Ge Kunst present Lucia Marcucci. Tutto qui?, the first monographic publication dedicated to the pioneering Italian artist Lucia Marcucci.


Shiota Chiharu, Uncertain Journey, 2016/2019
Lucia Marcucci. Tutto qui? Curated by: Frida Carazzato, Francesca Verga Design: bruno – Andrea Codolo, Giacomo Covacich, with Alessandro Durighello Publisher: bruno, Venice. Photo: Giacomo Bianco

Edited by Frida Carazzato (Museion) and Francesca Verga (Ar/Ge Kunst), and published by bruno (Venice), the book stems from two exhibitions held in 2023 — Lucia Marcucci. Poesie e no at Museion and L’Offesa at Ar/Ge Kunst — the outcome of a shared research project between the two institutions.


Backed by the Italian Council (XIII edition, 2024) of the Italian Ministry of Culture’s Directorate-General for Contemporary Creativity, the book is accompanied by an international presentation tour that maps a European constellation of venues and readers: from Centro Pecci in Prato to Palazzo Butera in Palermo, from MART in Rovereto to the Université de Liège, and on to the University of Sussex in Brighton and CAP – Centre d’art contemporain de Saint-Fons in France. Each stop will open a public forum around Marcucci’s work, its historical roots and its striking relevance today.


Featuring essays by Claudia Crocco, Gilda Policastro, Francesco Tenaglia, Maria Alicata, Annalisa Sacchi, Giulia Crispiani, Dalila Colucci, Vanessa Desclaux and Raffaella Perna, the publication assembles a polyphonic portrait of a central figure in Italian Visual Poetry.


Marcucci’s practice—born in close dialogue with Gruppo 70—splices word and image, advertising grammar and literary citation, deploying irony as a sharp tool against consumerist ideology, gendered stereotypes and imperial politics in post-war Italy.


Philip Guston If This Be Not I 1945 Mildred Lane Kemper Art Museum. Univerity purchase, Kende Sale Fund, The Estate of Philip Guston, courtesy Hauser & Wirth
Mockup Lucia Marcucci. Tutto qui? Curated by: Frida Carazzato, Francesca Verga Design: bruno – Andrea Codolo, Giacomo Covacich, with Alessandro Durighello Publisher: bruno, Venice.

The predominance of women contributors is itself a curatorial stance, mirroring the artist’s sustained challenge to systems that objectified the female body and flattened subjectivity into commodity.


The predominance of women contributors is itself a curatorial stance, mirroring the artist’s sustained challenge to systems that objectified the female body and flattened subjectivity into commodity.


By threading art, poetry and activism, the book makes plain why her legacy continues to shape curatorial thought and feminist discourse, informing new generations of artists and scholars who work across media and platforms


Shiota Chiharu, Accumulation - Searching for the Destination 2014/2019
Lucia Marcucci. Tutto qui? Curated by: Frida Carazzato, Francesca Verga Design: bruno – Andrea Codolo, Giacomo Covacich, with Alessandro Durighello Publisher: bruno, Venice. Photo: Giacomo Bianco

Far from asking “is that all?”, Tutto qui? becomes an open question—an invitation to reopen archives, re-read images, and reclaim language as a living material. In doing so, it affirms Lucia Marcucci as one of the most lucid, radical voices in Italian contemporary art.


Museion Bolzano

Piazza Piero Siena 1


Date

Novembre 2025 - Giugno 2026



 
 

From October 31, 2025, on the occasion of Torino Art Week, OGR Turin, the innovation hub of the Fondazione CRT, inaugurates three major international exhibitions that explore the intersection between art and technology, reaffirming its role as a center for interdisciplinary research and experimentation.


Shiota Chiharu, Uncertain Journey, 2016/2019
ELECTRIC DREAMS, 2025

The exhibitions — Laure Prouvost. WE FELT A STAR DYING, ELECTRIC DREAMS. Art & Technology Before the Internet, and Erzë Dinarama. DRUMMING FOR LOVE — present distinct perspectives on the dialogue between creativity and science, showing how contemporary art continues to shape our understanding of innovation and the future.


“OGR were conceived as a hub where culture and innovation meet,” said Anna Maria Poggi, President of the Fondazione CRT. “Through these projects, we position Turin on the global map as a reference point where art and technology converge.”


In Binario 1, WE FELT A STAR DYING by Laure Prouvost — co-commissioned by LAS Art Foundation and OGR Turin — is an immersive installation that delves into the paradoxical logic of quantum physics and its poetic potential. Created in collaboration with philosopher Tobias Rees and scientist Hartmut Neven, founder of Google Quantum AI, the work transforms quantum uncertainty into an experience of sound, light, and scent, turning scientific instability into creative energy.


In Binario 2, ELECTRIC DREAMS. Art & Technology Before the Internet — organized by Tate Modern and OGR Turin, curated by Val Ravaglia and Samuele Piazza — revisits forty years of artistic experimentation from the 1950s to the 1990s. The exhibition traces the origins of electronic and cybernetic art, when pioneering artists used early technologies from industrial and military contexts to challenge the boundaries of perception and communication.


Philip Guston If This Be Not I 1945 Mildred Lane Kemper Art Museum. Univerity purchase, Kende Sale Fund, The Estate of Philip Guston, courtesy Hauser & Wirth
WE FELT A STAR DYING, 2025

In Binario 3, artist-in-residence Erzë Dinarama presents DRUMMING FOR LOVE, a new installation developed within the S+T+ARTS4WaterII program, funded by the European Union. The work stems from research along the Po River, combining environmental data, field recordings, and community stories in a data-visualization piece that reflects on fragility, ecology, and resilience.


“At OGR every project aims to foster discovery, dialogue, and participation,” said Davide Canavesio, President of OGR Turin. “These exhibitions confirm our mission as a multidisciplinary laboratory where art and technology meet to explore the transformations of our time.”



Shiota Chiharu, Accumulation - Searching for the Destination 2014/2019
DRUMMING FOR LOVE, 2025

Running until May 10, 2026, the three exhibitions transform Turin’s former railway workshops into a vast observatory of global artistic innovation — a place where imagination and technology merge to shape new ways of seeing and understanding the world.


OGR Torino

Corso Castelfidardo 22


Date

WE FELT A STAR DYING - ELECTRIC DREAMS

31 ottobre - 10 maggio 2026


DRUMMING FOR LOVE

31 ottobre - 2 novembre


 
 
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